…comes flopping after saying wait for me but is not heard. There's a story told by Ovid of daphne who is being pursued by Apollo and she's running away. I always think of that when I think of this Apollo like the frog chasing daphne, saying wait for me…

…by Ovid of daphne who is being pursued by Apollo and she's running away. I always think of that when I think of this Apollo like the frog chasing daphne, saying wait for me and she, of course turns into a tree she's really a scaredy cat and suffers…

…these wonderful arms and legs and they were tremendously powerful and they had the idea of storming heaven and all. And zeus and Apollo became nervous about them and decided to cut them in half and reduce their powers by half. And so they performed these…

…along. Whenever one of the gods of the patriarchal system arrives he has to go to work to reduce these fellows. We know of Apollo fighting the lord of the Delian Oracle and we hear of yahweh crushing the serpent. And just as the sibyl of delos was the…

…though it should not be admitted in Greece. However, the two do play against each other for instance in the contrariety of Apollo and Dionysus. Dionysus is that bull and serpent power playing in Concord or accord with Apollo as the contrary figure well as…

…for instance in the contrariety of Apollo and Dionysus. Dionysus is that bull and serpent power playing in Concord or accord with Apollo as the contrary figure well as you get in Nietzsche's Birth of tragedy which is the key book to this whole thing…

…dravest love from thee who dravest me. The same harrowing, mysterious voice was to be heard in the call of the Greek God Apollo to the fleeing maiden daphne, daughter of the river penaeus, as he pursued her over the plain. O nymph, o penaeus, daughter…

…and her head was now but a tree's top. Her gleaming beauty alone remained. This is indeed a dull and unrewarding finish. Apollo the sun the lord of time and ripeness, no longer pressed his frightening suit, but instead simply named the laurel his favorite…

…and female but at any rate, they were twice what each of us now is. The gods were afraid of them, and so zeus and Apollo decided to cut them in half. And they did so. Cut them right in half, and then Apollo pulled together the raw flesh and tied…

…of them, and so zeus and Apollo decided to cut them in half. And they did so. Cut them right in half, and then Apollo pulled together the raw flesh and tied it together and that's the navel. They turned the heads around so they could look at each…

…will. For such people it is possible to say: the god whom we call zeus, you call Indra, the god whom we call Apollo, you call Surya, we all worship the same deity under differing names. Furthermore, in religions of this pagan sort, the individual alone…

…describes the celtic religion in terms of roman god names. So we don't always know what god he's talking about. He's talking about Apollo, Mercury and so forth. This is syncretism. But when you get to the semitic tribes you cannot say: he whom you call…

…deer is the wild animal, the bull is the domestic animal symbolic of the lunar life. The two deities: there are roman deities: Apollo and mercury. When caesar went into Gaul, in his sixth chapter of the gallic wars he describes the gods of the celts but…

…these mystery rituals. I would say that the best, at least in my experience, the best discussion of the two, Dionysus and Apollo the dynamic of time, which destroys in order to bring forth time rolls through all things, bringing forth new forms and…

…time rolls through all things, bringing forth new forms and destroying old. And in contrast to that the light world of Apollo and its interest in the exquisite differences of forms, the attention to the differences of forms, what Nietzsche calls the…

…Here is the female guide that leads us on, and she brings our hero with his full bowl to the very throne of Apollo the lord of light. This is wonderful we have the dionysian and the apollonian principles in the harmonious relationship here, and he holds…

…the music of the spheres which sing through all things. Under his throne there lies a deer which is an animal associated with Apollo. Now I want to introduce you to the symbolism of this apollonian idea as it was reawakened in the Renaissance. This whole…

…nine muses. The muses are clothed, art is the clothing of a revelation. When we get up here at the very throne of Apollo we have three graces naked. There the revelation is achieved and rendered, to which the arts are pointing. Nine muses, and and the…

…god dionysos and the concern for the individual entity is what's represented in the what might I say radiance of the god Apollo. And Nietzsche shows in the birth of tragedy how in Greek Tragedy these two principles are perfectly United there is concern…

…these mystery rituals. I would say that the best, at least in my experience, the best discussion of the two, Dionysus and Apollo, the dynamic of time, which destroys in order to bring forth time rolls through all things, bringing forth new forms and…

…time rolls through all things, bringing forth new forms and destroying old. And in contrast to that, the light world of Apollo and its interest in the exquisite differences of forms, the attention to the differences of forms, what Nietzsche calls the…

…Here is the female guide that leads us on, and she brings our hero with his full bowl to the very throne of Apollo, the lord of light, wonderful we have the dionysian and the apollonian principles in harmonious relationship here and he holds in his hand…

…of the music of the spheres which sing through all things. Under his throne there lies a deer which is an animal associated with Apollo. And now I want to go to the middle of the Pietro Assa bowl this figure with the chalice whom we've already seen.…

…nine muses. The muses are clothed. Art is the clothing of a revelation. When we get up here at the very throne of Apollo we have three graces naked. There the revelation is achieved and rendered, to which the arts are pointing. Nine muses, and the…