c/slavoj-zizek
Explore a comprehensive collection of Slavoj Žižek audio recordings and lectures. Search through hours of provocative philosophy and sharp cultural critique.
…he should have been such, more brutal and so on. Well, I told you so. The silent type from the 50s, like Humphrey Bogart sort of person. Or is this to avoid libel? Sorry? You're not just avoiding libel. So that's interesting. So the photography thing,…
…classic, Casablanca. You remember that brief scene just in the middle, two-thirds into the film, where Ingrid Bergman comes to Humphrey Bogart for that visa, passport, whatever, to Portugal, and they talk, then they embrace, fade out, for two seconds and a…
…Hollywood. The first one It's the scene, two serves into Casablanca. Remember then, in the night, Ingrid Bergman comes to Humphrey Bogart, to Rick's Cafe, his office upstairs, to get those famous Portuguese visas or whatever, exit visas, so that they can…
…have a faint out, it means sex follows. Second thing, after, did you notice, When you return to the conversation, Humphrey Bogart smokes a cigarette. Another trick. Before, a drink after a cigarette. Another rule. Not to mention the vulgar association, the…
…these horrible things, beating people, raping women, torturing suspected communists, that... They identified with American film noir heroes like Humphrey Bogart and so on. They imagined themselves as heroes of noir. I find this very interesting how you always…
…that we want to suffer. It's a simple phenomenon like... Isn't this so fascinating about, you know, the old film noir, Humphrey Bogart, Robert Mitchum, and so on. Isn't a typical noir scene that, for example, you get a guy, normal guy, suddenly he's…
…into the film, in the middle of the night, Ingrid Bergman comes to Ritz Cafe, goes to the second floor up to meet Humphrey Bogart there, and okay, she wants to get the famous visas for Hollywood. for the flight to Lisbon, to Portugal, and so on. So…
…how they did it. They explained that before they become killers, they were in love with Hollywood film noir mostly, Humphrey Bogart, all that. So they imagined themselves as noir detective, Humphrey Bogart, whoever. They imagined as being a Hollywood noir…
…they were in love with Hollywood film noir mostly, Humphrey Bogart, all that. So they imagined themselves as noir detective, Humphrey Bogart, whoever. They imagined as being a Hollywood noir hero when they were doing their terrifying acts. This was their…
…of all times, Casablanca. You know the famous scene, two-thirds into the film, when during the night, Ingrid Bergman comes to Humphrey Bogart, Rick, to get those famous visas, whatever, and then what happens is that they had a conversation with all these…
…lesson that for them, the Indonesian right-wing murderers, to do it they had to act, they had to identify with Hollywood, with Humphrey Bogart, old noir and so on and so on. No, all these wild outbursts you act, You know, since you were mentioning Danish…
…there. No, no, sorry. What I mean is that he reconstructs, you know these famous lines from Casablanca, like one of them is Humphrey Bogart telling to her, I think, here's one to you, kid. No? You know what happens in this story? He pulls out his penis…
…how they did it, They explained that before they become killers, they were in love with Hollywood film noir mostly, Humphrey Bogart, all that. So they imagined themselves as noir detective, Humphrey Bogart, whoever. They imagined as being a Hollywood noir…
…they were in love with Hollywood film noir mostly, Humphrey Bogart, all that. So they imagined themselves as noir detective, Humphrey Bogart, whoever. They imagined as being a Hollywood noir hero when they were doing their terrifying acts. This was their...…
…of all times, Casablanca. You know the famous scene two-thirds into the film when during the night Ingrid Bergman comes to Humphrey Bogart, Rick, to get those famous visas, whatever, and then what happens is that they had a conversation with all these noir…
…are here, cinema lovers, film noir scene. You know, the typical scene is like kind of, I don't know who, Robert Mitchum, Humphrey Bogart guy, falls for an evil femme fatale. and at the end he loses everything, he's totally ruined, and then somebody asks…
…class situation, while just ask yourself who smokes today in Hollywood? Where are the good old days when Lorin Bacall to seduce Humphrey Bogart says can I get a light from you? No, today basically The only clear cases who regularly smoke, I notice, are…
…killing, and so on, they even dressed as and copied their idea, because they were all movie fans, they liked James Cagney, Humphrey Bogart, those gangster and film movies from the late 30s, 40s, early 50s, and they acted heroes in action. That's always, I…
…it, which I find He steps into the movie, just a small scene, Ingrid Bergman in the middle of the night comes to Chantry Bogart to reach Café and, of course, to get to ask for those famous visas for Portugal. Then something happens. They start to talk,…
…for that. And the way they were able to do it, they imagined themselves, as they said, James Cammie and Humphrey Bogart were their book heroes. They imagined themselves as imitating Hollywood heroes, tough guys, gangsters, and so on. Again, I'm not…
…of course. You remember two-thirds into the movie, just a small scene, Ingrid Bergman, in the middle of the night, comes to Humphrey Bogart to reach Café to talk, remembering their love affair in Paris a year or two ago, then they embrace, then they fade…
…hardcore pornography, some of the change that we know, this legendary change from the movie. You know, we all know this famous Humphrey Bogart phrase to his lady, here's to you, kid. You know how that happens? In the middle of lovemaking, he gives her…
…Hollywood for them. The way they were able to do it, they imagined themselves, as they said, James Canny and Humphrey Bogart were their book heroes. They imagined themselves as imitating Hollywood heroes, tough guys, gangsters, and so on. Again, I'm not…
…scene two-thirds into the film where in the middle of the night, Ingrid Bergman, Lisa or whatever she calls, comes to Humphrey Bogart, to Rick's cafe, asking him for those famous papers, visa, whatever, and they had a conversation. then they embrace, fade…
…only openly boasting about it, but even more, they have a whole imitating Hollywood heroes for example one of their heroes was Humphrey Bogart and so on and so on and they then enact this it's an extremely obscene thing where they these older murderers…
…so on and they then enact this it's an extremely obscene thing where they these older murderers accepted to be dressed like Humphrey Bogart in the 40s and then a little bit like Fred Astaire they stage musical numbers and then they describe their tortures…
…it later, Casablanca. But imagine it then that it's exactly the same film as it is. But then, you know that scene when Humphrey Bogart and Ingrid Bergman meet and they embrace, and then of course you have the fade-out. Imagine the movie going on so that…
…takes this scene, it's a 20-page short story, which begins with this scene from Casablanca. You know, Ingrid Bergman comes to Humphrey Bogart at night to get the visas, and then they embrace. In the movie, you jump directly then to some mysterious fade-out…
…penetration, whatever you want. And what's even more obscene is that many phrases that we remember from Casablanca as famous. standard Humphrey Bogart phrases like you remember when he says here's one to you kid are given very strange twist in this story…
…Let me return to the scene from Casablanca. That very short scene, you remember, again, in the night, Ingrid Bergman comes to Humphrey Bogart to get the visas for her and her husband. Then, after some talk, they embrace, kiss, fade out. Then you get…
…tower, light circling around. Then you have a return to the two of them, and the same conversation seems to go on. Humphrey Bogart, smoking a cigarette, simply says, okay, and what went on? I think if somebody asks me where is ideology in Hollywood, you…
…up to the end. In the final confrontation, you know, on the Casablanca airport of the three of them, Humphrey Bogart, Ingrid Bergman and Victor Laszlo, the virtuous anti-fascist resistant husband, there is a very mysterious conversation between Rick Humphrey…
…Bogart, Ingrid Bergman and Victor Laszlo, the virtuous anti-fascist resistant husband, there is a very mysterious conversation between Rick Humphrey Bogart and Victor Laszlo. Rick tells him, You said you knew all about Ilsa. Ingrid Bergman character, Ilsa and…
…It is, I don't care what goes really on, appearances should be maintained that nothing happened between Ingrid Bergman and Humphrey Bogart. Malevolent is then all that projecting of dirty fantasies, imputing fantasies, and so on and so on. But when you…