…say, De La Tour and Caravaggio. Yeah, we have. What we will put with them. We have Shakespeare's Lear, too. That goes with Rembrandt, though. Have we got a Rembrandt? We have. Is there a Rembrandt in your sequence? No. We must have a Rembrandt. Well,…

…Yeah, we have. What we will put with them. We have Shakespeare's Lear, too. That goes with Rembrandt, though. Have we got a Rembrandt? We have. Is there a Rembrandt in your sequence? No. We must have a Rembrandt. Well, then skip it. We'll stick with…

…with them. We have Shakespeare's Lear, too. That goes with Rembrandt, though. Have we got a Rembrandt? We have. Is there a Rembrandt in your sequence? No. We must have a Rembrandt. Well, then skip it. We'll stick with Delatour and Caravaggio. And don't…

…with Rembrandt, though. Have we got a Rembrandt? We have. Is there a Rembrandt in your sequence? No. We must have a Rembrandt. Well, then skip it. We'll stick with Delatour and Caravaggio. And don't you have another Baroque painter? Oh, surely we can find…

…penis, guys. You can set up the penis, guys. Now, let's do, uh, pull out a few Burroughs. Or would you rather start with Rembrandt and switch to the Burroughs? Uh, kind of as you were saying. Let's start with the double point of view and use it in…

…that words can describe anything. Now, it was possible in the Renaissance, of course, to describe a painting. One could say of Rembrandt, a man with a golden helmet. But there's absolutely nothing that can be said about a Franz Kline painting that will…