…Oh, well, sure. The habit of discontinuous and multileveled perception. But it goes partly also with my interest in Joyce Pound Elliott because they are also multifaceted people. and very right hemisphere people. And Harold Innes. Harold Innes, I was very…

…the new clothing of an environment are only visible to artists who have a hell of a lot of punch and courage and scope. Pound used to say the artist is the antennae of the race. He picks up all the messages that other people just can't get. But…

…they're doing voodoo. They're doing a magical manipulation of the corporate life of the community. That's a little different from what Pound had in mind. Pound was thinking, along with, say, Yates and Elliott and Joyce and people like that, he was thinking…

…They're doing a magical manipulation of the corporate life of the community. That's a little different from what Pound had in mind. Pound was thinking, along with, say, Yates and Elliott and Joyce and people like that, he was thinking of the all somewhat…

…If I want to know about poetry, I don't go to Picasso. And if I want to know about music, I don't go to Pound. Each art became a private means of expression and experience. And so we finally developed that world in which the concert goer closes his…

…form. Now, McLuhan, who's, as you know, a student of literature, and particularly very involved with modern literature, with Pound, Joyce... Eliot undoubtedly absorbed this idea that the medium is the message from the so-called formalist tradition. Yes, Eliot,…

…the new clothing of an environment are only visible to artists who have a hell of a lot of punch and courage and scope. Pound used to say the artist is the antennae of the race. He picks up all the messages that other people just can't get. But…