c/marshall-mcluhan
Explore Marshall McLuhan’s groundbreaking theories on communication, technology, and why "the medium is the message" in the digital age.
…art, abstract music is an art in which you pull out the connections. I understand that you're going to have a sculpture by Picasso on this campus, and abstract Sculpture or abstract art is an art in which there is no visual component. All you have is…
…And the Fellini Eight and a Half is a world where the audience has to work very hard, same as abstract art, same as Picasso. Picasso has a picture of man sitting in chair. There's no man, there's no chair. What Picasso was painting was what it feels…
…the Fellini Eight and a Half is a world where the audience has to work very hard, same as abstract art, same as Picasso. Picasso has a picture of man sitting in chair. There's no man, there's no chair. What Picasso was painting was what it feels like…
…hard, same as abstract art, same as Picasso. Picasso has a picture of man sitting in chair. There's no man, there's no chair. What Picasso was painting was what it feels like for a man to be sitting in a chair. The audience has to work this out and…
…which means... Look, we cut you a damn good disc there, Tony. Boy, I'm telling you. Oh, why? That's a good one. It's interesting. Picasso says his objective is to look and to show. To look at what I see and to show what I've found. Okay. Picasso is…
…It's interesting. Picasso says his objective is to look and to show. To look at what I see and to show what I've found. Okay. Picasso is simply, he had the perceptions of a man living in his time in all spaces at once. Instead of showing you what the…
…know is basic to it, and that is the ability to challenge your cultural assumptions. The artist is always a rebel. Yes, Picasso said that art was an act of dissent. He's a rebel because ordinary perception is blocked, cliched, blind, and he insists that…
…experienced through their effects and their reactions to. What I'm suggesting to you then is that not only did the artists like Picasso step inside and employ x-ray vision, but the scientists did as well. The break comes about 1900. It's surely no accident…
…Altamir, that perhaps nothing will ever be done in the field of art that will go beyond them. Even our greatest artist, Picasso, acknowledges that here were their equals. In the field of arts, then, we do not find the artist standing on his predecessor's…
…literacy, however, ritual fell into disfavor. Literate man developed separate art forms. If I want to know about poetry, I don't go to Picasso. And if I want to know about music, I don't go to Pound. Each art became a private means of expression and…
…enormous area of information service, part of the service industries, enabling you to substitute the effect for the thing, just like Picasso. The artists have been, usually go through these maneuvers 50 or more years before the engineers get around to them.…
…about advertising that there seems to be such a strange disproportion between the effect of the ad and the content. Now take a Picasso painting such as a man sitting in chair. You see no chair, you see no man. But the painting is designed to convey…
…an enormous area of information service, part of the service industries. enabling you to substitute the effect for the thing, just like Picasso. And this is called non-objective abstract art. And now you see it, now you don't see it. And so on. But no,…
…the public. So this is somewhat related to advertisements. Ads now include the product and tell you how the product affects you. Picasso 50 years ago was painting pictures, for example, man sitting in chair. There was no man. There was no chair. It was…